!!!: Let It Be Blue Album Review

!!!: Let It Be Blue Album Review

The dance-punk revival that took hold of New York around 2002 probably started a few years earlier, in Sacramento, when!!! released their debut album, although they were drawn to Brooklyn early on. They were the Rapture before the Rapture – hardcore kids thrilled with the discovery of samplers and dance music – and they shared a first bassist with LCD Soundsystem. They also had a hugely fun side project, Out Hud, which was more deeply beholden to house and electro than the disco-punk main unit, in which they raised fleets of horns and cymbals for their concerts in freewheel. They were California sunshine piercing the paranoid gloom of their milieu, Day-Glo fashion hippies singing songs for fun instead of well-dressed men singing songs for oblivion. let it be blue shows how quickly they have settled into this role and matured into their vintage influences.

All the strutting bass, bouncing guitars, steel drums, ravey arpeggios and playful vocal samples you expect!!! are held back on the opening track, “Normal People,” a sad and hopeful acoustic trifle that may trigger surprising memories of Badly Drawn Boy and seems destined for a Noah Baumbach movie. But things quickly return to normal on “A Little Bit (More),” if your idea of ​​normality sounds like Claude VonStroke giving C+C Music Factory a deep workout. “Here’s What I Need to Know” is covered in trance synths, while guest vocalist Angelia Garcia ties a golden ribbon over the pumping dembow of “Un Puente.” The title track somehow jumps from Mr. Oizo to David Bowie to Juan Maclean, and it’s one of the only times the record succumbs to the overly delicate temptations of file-swapping projects. There’s also some dramatic, straightforward Human League synth pop and a fantastic disco reminiscent of Phoenix. I like youand that’s just the verses and choruses of “Storm Around the World,” featuring Maria Uzor.

The brightest song might be “Man on the Moon,” a cover of REM’s borderline novelty in roller-disco style with the slacker flavor of Beck’s “Loser.” Or, if you’re a real music buff, maybe it’s “This Is Pop 2,” in which Offer spreads the uneven suede of his vocals over dark-hued electro-pop, dabbing it here and there with some British news. wave tics. This is a 1978 fan sequel to XTC cries of heart about definition anxiety, which also appeared on an album with a title baiting the Beatles. A litany of conflicting gender statements cancel each other out until one truism shines with special meaning: “It’s pop, and it feels like summer.” But it seems obtuse to try to parse!!!, who love to romp in music history but mostly use words to lure us closer to the bouncing cones, where the bass obliterates the conversation, lest we let’s not risk what’s right there in search of a little deeper meaning.

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!!! (Chk Chk Chk): Let it be blue


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