Does Wanda die in Doctor Strange 2?  The author of the film explains

Does Wanda die in Doctor Strange 2? The author of the film explains

Just after Doctor Strange in the Multiverse of Madness premiere, some fans began to rebel against some of the film’s biggest plot points, especially the ending. Major changes to a familiar character will. Inevitably, theories and protests began to fly, and the fate of the film’s villain sparked immediate arguments, speculation, and hopes online. Polygon recently spoke with the film’s screenwriter, Michael Waldron, who is also a writer and producer for the Marvel Studios series. Loki and on rick and morty. We asked him two of the most frequently asked questions on the internet since the strange doctor created sequel – specifically about Wanda Maximoff, the Scarlet Witch.

[Ed. note: Major plot spoilers and ending spoilers ahead for Doctor Strange in the Multiverse of Madness.]

Photo: Jay Maidment/Marvel Studios

Some fans cringed at the reveal that occurs at the start of the first act of Multiverse of Madness – Wanda, fresh from re-traumatization and a life-altering experience with her two seemingly imaginary children in Wanda Vision, ends up being the villain of the film. She’s obsessed with using the potential of the multiverse to find a world where her children are real and alive, and she’s willing to kill anyone who gets in the way of that goal. At the end of the film, however, she has a moment of regret and clarity, and she appears to commit suicide by destroying a site that gave her immense power.

However, fans don’t necessarily want to believe that Wanda is dead. Is she? Waldron said he really couldn’t say for sure.

“I can’t,” he tells us. “I hope she isn’t, but I have no idea. A giant mountain fell on her, but she is strong enough. So I guess I don’t know. Time will tell us. But as a fan of Wanda and Lizzie [actor Elizabeth Olsen]I would love to see her again.

This coverage is understandable, given that even though Waldron’s script definitely said “Wanda Maximoff dies and is absolutely dead, forever,” superhero stories have a long-standing habit of finding ways to raise the dead. In this case, Wanda might be impervious enough to survive the deliberate collapse of Wundagore Mountain – especially given her reality-altering powers and the amount of physical damage she takes and disposes of throughout the whole world. film. Or the MCU could just replace her with a different Wanda from another part of the multiverse, perhaps one that didn’t go through the same traumas and would allow for different kinds of stories.

Waldron says it makes sense for fans to develop these kinds of theories and hopes for the future, rather than taking Wanda’s apparent death onscreen literally. “I guess that’s natural, right?” he says. “I mean, I’ve been a fan of things and I wanted things to be different. But that doesn’t mean I didn’t find the right ending. It just ultimately means that what I watched made me feel something strong, which is an achievement in itself.

Waldron says fan resistance to dramatic character change or death is inevitable. “When you do something for such a wide audience, the responses are absolutely going to range from thrilled to devastated by some of the choices you’ve made,” he says. “And that’s what you sign up for when you make an MCU movie. But you can’t let that scare you away from making bold storytelling choices. Otherwise, you won’t do anything interesting.

He adds that none of the answers really bothered him: “You’re glad people care.”

One of the “bold storytelling choices” he refers to is making Wanda a true mass murderer. She slays heroes without guilt or hesitation throughout the film and spends most of her time trying to assassinate America Chavez, a teenage girl whose multiverse-jumping powers Wanda plans to steal for herself. The character’s fans have understandably been angered, both because she falls so far into selfish and downright bad choices, and because her motivations – to do everything for her children – fit into a long-held stereotype where female characters are too often focused exclusively on their children.

Wanda in WandaVision evoking an explosion of red magic

Picture: Marvel Studios

“Well, I get it. I make them angry,” Waldron says. “It also bothers me that she does those things. As a writer, what I had to do was understand, Is this something she could do? Does it make sense for this character, and for all of us? It was not a decision taken lightly to make Wanda the antagonist of this film.

That said, Waldron says he thought the decision was well grounded in the story that Marvel movies have told about Wanda for several years. “Given the journey she’s been on, given the enormity of her trauma, of her grief, given the events of Wanda Vision, culminating with her acquiring the Darkhold and learning of her destiny as a Scarlet Witch, I think once she opened this book, and this book began to whisper to her the truth that her children were there “Down, that was enough,” he said. “That was enough to push her over the edge.”

“And then she gets pushed even further by Strange, and by everyone else. You hear him shout their hypocrisies – You do the same, break the rules and become a hero; I do and I am the enemy. In the end I felt like Yes, it is a justified decision. This is the one we collaborated on with Lizzie. And she certainly sells him, and he’s such a great actor that it just felt like we could do it. And I’m glad we did. It’s a lot of fun and I think it’s a powerful step for the character.

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